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Decorative Designs in Chinese Art 中国文物的纹饰

Carved Stone 石刻 Buddhist 佛教 Early Period 早期

Buddhist 佛教

Early Period 早期

The relief statue below shows Sakyamuni Buddha 释迦牟尼佛, the historic Buddha. He is characteristically shown with Ananda 阿难 and Mahakassapa 摩诃迦叶, also spelled as Kasyapa, 大迦叶, two of his ten close disciples. The pedestal shows an incense burner and two lions. This is a scene representing the Buddha's first sermon and is repeated on a number different statues. Rocks and trees are carved in the stone on the background, representing Deer Park where the sermon took place.

Stone Buddha statue created for Cheng Rong and others
石像 东魏 公元540上海博物馆 Stone Buddha statue created for Cheng Rong and others Second year of Xinghe Reign, Eastern Wei (540), Shanghai Museum

The statues above and below include a scenes describing jataka stories 本生, which are stories from the life or a past life of the Buddha. They originate in Indian Buddhist art. The relief carving here is a mural style on a flat surface. This type of relief sculpture is produced by a multi-step process. In the first step a painter paints the design on the stone. In the second step a mason chisels lines around the outlines. In the third step the painter may have painted the stone.

a relief sculpture
石像 北齐(550〜577上海博物馆 Buddhist Statue in Stone Northern Qi (550—577), Shanghai Museum

The statue below includes a large nimbus 背光 behind the Buddha. There are flame patterns 火焰纹 and floral patterns decorating the nimbus. Hand gestures or mudras 手印 are important Buddhist symbols. In the statue below the Buddhas right hand, facing outwards with five fingers pointing upwards, is an abhaya mudra 施无畏印. This indicates protection and assurance or casting out fear. The Buddhas left has is in a vara mudra 愿印, with his hand facing outwards with five fingers pointing downwards, indicating upholding of vows.

Stone Statue of the Buddha
石像 北齐(550〜577上海博物馆 Stone Statue of the Buddha Northern Qi (550—577), Shanghai Museum

The statue below has surrounding decoration featuring two dragons arched over the Buddha, which is a traditional Chinese design. The relief in the statue below is much deeper and was created with a different technique.

stele / stone tablet
佛像石碑 北齐武平(572上海博物馆 Buddhist Steele, Stone Wu Ping Reign, Northern Qi (572), Shanghai Museum

Large numbers implying nearly infinite quantities are common and important in Buddhism. The steele below is titled Ten thousand Buddhas Steele, not meaning ten thousand literally but a meaning a very large number. In China, ten thousand traditionally represents a large number or infinity. In Buddhist sutras this concept was represented by the number of grains of sand in the Ganges, the number of dust particles created by turning a world into dust (Lotus Sutra), the amount of space in a particular direction (Diamond Sutra), or other analogies.

stele / stone tablet
石碑 北周公元557〜581上海博物馆 Ten thousand Buddhas Steele Northern Zhou (557—581), Shanghai Museum

In Buddhism Lokapalas 天王 refer to the four heavenly kings, who are guardians of the four directions of the world. They are most frequently seen at temple entrances 山门. The Lokapala statue below is an Indian style figure.

an emperor / a god / a lokapala
天王石像 公元618〜917上海博物馆 Stone Lokapala statue Tang (618—917), Shanghai Museum

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